A Bigger Message

"Sumptuously illustrated, this radiant volume encapsulates what it truly means to be a visual artist." --Booklist

A Bigger Message

More Books:

A Bigger Message
Language: en
Pages: 296
Authors: Martin Gayford
Categories:
Type: BOOK - Published: 2016-04-27 - Publisher:

This new edition includes a revised introduction and five new chapters which cover Hockney s production since 2011, including preparations for the Bigger Picture exhibition held at the Royal Academy in 2012 and the making of Hockney s iPad drawings and plans for the show. A difficult period followed the
David Hockney
Language: en
Pages: 43
Authors: David Hockney
Categories:
Type: BOOK - Published: 1969 - Publisher:

Books about David Hockney
A Bigger Message: Conversations with David Hockney (Revised Edition)
Language: en
Pages: 296
Authors: Martin Gayford
Categories: Art
Type: BOOK - Published: 2016-08-16 - Publisher: Thames & Hudson

“Sumptuously illustrated, this radiant volume encapsulates what it truly means to be a visual artist.” —Booklist David Hockney’s exuberant work is highly praised and widely celebrated—he is perhaps the world’s most popular living painter. But he is also something else: an incisive and original thinker on art. This new edition
A History of Pictures
Language: en
Pages: 360
Authors: David Hockney, Martin Gayford
Categories: Art
Type: BOOK - Published: 2016-09-01 - Publisher: Thames & Hudson

The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. Two-thirds of it is irrevocably lost, since the earliest images known to us are from about 40,000 years ago. But what a 40,000 years, explored here by David Hockney
A History of Pictures
Language: en
Pages: 368
Authors: David Hockney, Martin Gayford
Categories: Art
Type: BOOK - Published: 2020-02-20 - Publisher:

'I won't read a more interesting book all year... utterly fascinating' A. N. Wilson, Sunday Times 'Enormously good-humoured and entertaining... Hockney asks big questions about the nature of picture-making and the relationship between painters and photography in a way that no other contemporary artists seems to.' Andrew Marr, New Statesman